In the chapter “Consciousness = Thinking,” Douglas Hofstadter defends his thesis that “Consciousness is the dance of symbols inside the cranium.”
What are two of Hofstadter’s primary reasons for reaching this conclusion? To what extent are these reasons convincing or compelling? Explain. Drawing upon our discussions of identity theory, neuroplasticity, and digital technologies, either (a) challenge and amend Hofstadter’s thesis or (b) confirm and extend Hofstadter’s thesis. Provide clear reasons for your position.