Topic: The director look of Anh Hung Tran in Cyclo 1995 of the global film production

Order Description is to identify the cultural materials and economic means (industries, institutions and resources) by which the film has crossed boundaries, be they national, cultural, linguistic, religious, ethnic, or subcultural, and the product that results. This paper should demonstrate your understanding and application of ideas about global film production that we have covered in class -- it is your "final." Whatever film you select, your paper should include the following: A brief description of the film and its filmmaker The geographic, social and/or political context in which the film was made. The geogaphic, social, historical, and or political context of the film’s narrative. The conditions of production – the cultural and economic resources, especially the global aspects Discussion of the film -- why it may be considered aesthetically, culturally, and/or politically significant, using specifics from the film to illustrate and support. The reception of the film, from critical and economic perspectives, in the country where it was produced and in export markets. A conclusion about the global nature of this film – is it merely incidental to the film’s impact (e.g., “silent” financing of a project), or does it affect the content of the film, and if so, how? A complete bibliography of sources cited in the paper.